Dr James Frieze
Faculty: Faculty of Arts Professional and Social Studies
School: Liverpool Screen School
Email address: J.Frieze@ljmu.ac.uk
Telephone: 0151 231 5062
Publications
Chapters
Frieze J. 2019. The Builders Association Vanden Heuvel M. American Theatre Companies 1995-2017 Bloomsbury Methuen
Frieze J. 2017. Reframing immersive theatre: The politics and pragmatics of participatory performance Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance :1-25 9781137366030 DOI
Frieze J. 2016. One Step Forward, One Step Back: Resisting the Forensic Turn Performance and Participation Practices, Audiences, Politics 9781137393180 Public Url
Frieze J. 2012. The Mess Behind the Veil: Assimilating Ping Chong Li DL. Asian American Literature Routledge 9780415498876
Frieze J. 2012. Whatever You Say: Making the Monstrous Phatic Svich C. Out of Silence Eyecorner Press 9788792633149
Book
Frieze J. 2019. Theatrical Performance and the Forensic Turn Routledge 978-0415854504 DOI
Frieze J. 2017. Reframing immersive theatre: The politics and pragmatics of participatory performance :1-345 9781137366030 DOI
Frieze J. 2009. Naming Theatre: Demonstrative Diagnosis in Performance Palgrave MacMillan 9780230517707
Journal article
Frieze J. 2015. Beyond the zero-sum game: Participation and the optics of opting Contemporary Theatre Review, 25 :216-229 DOI
Frieze J. 2013. A game of two halves: Participation, performance and All That is Wrong Studies in Theatre and Performance, 33 :321-336 DOI
Frieze J. 2011. Naked Truth: Theatrical Performance and the Diagnostic Turn THEATRE RESEARCH INTERNATIONAL, 36 :148-162 DOI Author Url
Frieze J. 2006. The mess behind the veil: Assimilating Ping Chong THEATRE RESEARCH INTERNATIONAL, 31 :84-100 DOI Author Url
Frieze J. 2003. Playwrights in rehearsal: The seduction of company MODERN DRAMA, 46 :533-534 Author Url
Frieze J. 1998. 'Imperceptible Mutabilites in the Third Kingdom': Suzan-Lori Parks and the shared struggle to perceive MODERN DRAMA, 41 :523-532 DOI Author Url
Frieze J. 1998. Making space losing face - Mimi Goese and the penultimate dis- (performance artist) PAJ-A JOURNAL OF PERFORMANCE AND ART, :1-9 Author Url
Frieze J. 1997. Ping Chong, 'After Sorrow' THEATRE JOURNAL, 49 :352-354 Author Url
Frieze J. 1997. Anglo-American interplay in recent drama - Cohn,R THEATRE STUDIES, :75-76 Author Url
Frieze J. Actualizing a Spectator Like You: The Ethics of the Intrusive-Hypothetical Performing Ethos, 3 :7-22
Frieze J. A Game of Two Halves: Performance, Participation and All That is Wrong Studies in Theatre and Performance, 33 :321-336
Frieze J. Young Jean Lee: The Technical Restrictions of Personhood Contemporary Theatre Review, 22
Thesis/Dissertation
Frieze J. The Articulation of Difference: Staging Identity in the United States (1986-92) University of Wisconsin-Madison
Engagement & Impact
External PGR Supervision - completed students:
Heriot-Watt University, PhD, Playing Bilingual: interweaving deaf and hearing cultural practices to achieve quality of participation in theatrical performance processes. 2019
Brimingham University, M.A. (Res.), Political Theatre and the Experience Economy. 2018
Salford University, PhD, An Investigation into the Relationship between the Individual and the Collective in Emerging Performance Ensembles. 2017
Lancaster University, PhD, Towards Economies of Generosity in Contemporary Live Art Practice. 2017
Bangor University, PhD, Considering the Therapeutic Potential of Immersive Theatres: a practice-led investigation. 2016
Other invited event:
Incubate Propagate, Birmingham University, This was the first consultation meeting for Incubate Propagate, a working group involving members of the Arts Council, arts producers, and academics. Its purpose is to consider ways that collaboration between the three areas can be developed in the UK going forward.. 2017
Conference organisation:
TaPRA (Theatre and Performance Research Association), Working Group Convenor (Performance and the Body). 2011