Biography
Joasia Krysa is Professor of Exhibition Research and Director of Exhibition Research Lab at Liverpool John Moores University, with a joint appointment at Liverpool Biennial. In 2016, she was awarded an Honorary Associate Professorship in Curating at Aarhus University, Denmark. Formerly, she hold a position of Artistic Director of Kunsthal Aarhus, Denmark (2012-2015), served as part of curatorial team for Documenta 13 (2012) and was co-curator of Liverpool Biennial 2016.
She has a background in Curatorial Studies (Goldsmiths, University of London), Cultural Studies (Wroclaw University), Political Sciences (Maria Curie Sklodowska University), and has PhD in Curating. Her research is located across contemporary art, curating and digital culture, with particular interest at the intersection of curating and computation.
At Liverpool John Moores' School of Art and Design, Prof. Krysa is heading Exhibition Research Lab (ERL), academic research centre and public exhibition venue dedicated to the interdisciplinary study of exhibitions and curatorial knowledge. Founded in 2012, ERL is uniquely underpinned by collaborative posts held by staff with cultural institutions in Liverpool - Tate Liverpool, FACT (Foundation for Art and Technology), RIBA North (Royal Institute of British Architects), John Moores Painting Prize, and Liverpool Biennial. The Lab comprises research activities, postgraduate and doctoral programmes, and curated public engagement and exhibitions programme.
Prof. Krysa serves on external advisory and editorial boards, including as academic advisor for Danish Research Council founded project 'The Contemporary Condition’ at Aarhus University (2015 – 2018); affiliated member of AMT - Archaeologies of Media & Technology Research, Winchester School of Art, Southampton University; and a member of Council of Management of Media Art Foundation WRO (Poland).
She served as an academic reviewer for New School in New York, Royal Holloway at the University of London, MIT - Massachusetts Institute of Technology, and Aalto University in Helsinki, amongst others.
She is Series Editor of DATA Browser (Open Humanities Press, London), academic advisor for APRJA journal (Aarhus University and Transmediale); and commissioning editor (with Sally Tallant) of contemporary art journal Stages (Liverpool Biennial).
Most significant publications include: edited books Systemics, or Exhibition as a Series (Sternberg Press, 2017) and Writing and Unwriting (Media) Art History' (MIT Press 2015); chapters in Networks (Whitechapel/MIT Press 2014) and The Routledge Companion to Art and Politics' (2015), authored publication 'Ada Lovelace', in the dOCUMENTA (13) notebook series '100 Thoughts - 100 Notes' (Hatje Cantz 2012); and edited anthology Curating Immateriality: The Work of The Curator in The Age of Network System' (Autonomedia, 2006).
Recent curatorial work include Liverpool Biennial 2016; exhibition series 'Collective Making' (2015-2016) and 'Systemics' (2013-2014) at Kunsthal Aarhus, Denmark, and dOCUMENTA 13 (Kassel 2012) where amongst other things, she was responsible for preparing the first international retrospective of Finish artist and technology pioneer Erkki Kurenniemi and worked with artists including Mika Taanila, Song Dong, Tarek Atoui.
Prof. Krysa is currently appointed as Curatorial Advisor for Helsinki Biennial 2020 and is working on a new monograph publication on curating and computation for Routledge.
Degrees
Plymouth University, United Kingdom, PhD Curating
Goldsmiths University of London, United Kingdom, MA Fine Art Curating
University of Wroclaw, Poland, MA Cultural Studies
University of Marie Curie, Poland, MA Political Sciences
Academic appointments
Professor of Exhibition Research, Liverpool John Moores University, in partnership with Liverpool Biennial, 2017 - present
Honorary Visiting Associate Professor in Curating, Aarhus University, 2016 - 2021
Academic Advisor, The Contemporary Condition research project, Aarhus University, 2015 - 2018
Academic Advisory Board Member, APRJA journal, Aarhus University, 2014 - present
Postgraduate training
Postgraduate Certificate in Learning and Teaching in Higher Education (LTHE), UK, Plymouth University, 2000 - 2001
Publications
Highlighted publications
“Bifo” Berardi F, Groys B, Parikka J, Bang Larsen L, Rodriquez Muñoz B, Hellberg F, Kokholm M. 2017. Systemics (or, Exhibition as a Series). Index of Exhibitions and Related Materials, 2013-14 Krysa J. :7-120 Sternberg Press. Berlin 978-3-95679-162-8 Publisher Url
Elmgreen & Dragset , Fokidis M, Smith T, Engberg J, Krysa J, Manacorda F, Malasauskas M, Cox G, Lund J, Kølbæk Iversen A, Gfader V. 2017. The Biennial Condition, vol 6/2017, Stages, Liverpool Biennial, Krysa (ed.) Publisher Url
Krysa J. 2015. The Politics of Contemporary Curating: a Technological Perspective Martin R. The Routledge Companion to Art and Politics Routledge 9781317567806 Publisher Url
Krysa J, Parikka J, Huhtamo E, Rastas P, Kurenniemi E, Paasonen S, Bang Larsen L, Sondergaard M, Ernst W, Rossaak E, Kuljuntausta P, Hecker F, Mackay R, Taanila M, Turkki T, Lassfolk K, Suominen J, Ojanen M. Writing and Unwriting (Media) Art History. Erkki Kurenniemi in 2048 Krysa J, Parikka J. The MIT Press. Cambridge MA 9780262029582 Publisher Url
Krysa J. Kurator - a proposal for an experimental, permutational software application capable of curating exhibitions Bang Larsen L. Networks Whitechapel Gallery and MIT Press. London, Cambridge Mass. 978-0-262-52575-6 Publisher Url
Krysa J, Bertolotti-Bailey F, Cairns S, Cooper R, Tallant S, Willsdon D, Manacorda F, Malasauskas R, Sandip P, Brannan P, Ying Tan Y. Liverpool Biennial 2016 (co-curator) Publisher Url
Book
“Bifo” Berardi F, Groys B, Parikka J, Bang Larsen L, Rodriquez Muñoz B, Hellberg F, Kokholm M. 2017. Systemics (or, Exhibition as a Series). Index of Exhibitions and Related Materials, 2013-14 Krysa J. :7-120 Sternberg Press. Berlin 978-3-95679-162-8 Publisher Url
Krysa J, Parikka J, Huhtamo E, Rastas P, Kurenniemi E, Paasonen S, Bang Larsen L, Sondergaard M, Ernst W, Rossaak E, Kuljuntausta P, Hecker F, Mackay R, Taanila M, Turkki T, Lassfolk K, Suominen J, Ojanen M. Writing and Unwriting (Media) Art History. Erkki Kurenniemi in 2048 Krysa J, Parikka J. The MIT Press. Cambridge MA 9780262029582 Publisher Url
Krysa J. Ada Lovelace, Notebook 55, 100 Notes - 100 Thoughts, Documenta 13 Carolyn Christov-Bakargiev C. 55 Hrsg. documenta und Museum Fridericianum Veranstaltungs-GmbH and Hatje Cantz 978-3-7757-3084-6 Author Url Publisher Url
Chapters
Krysa J. 2017. Exhibitionary practices at the intersection of academic research and public display Seppä A, Slager H, Kaila J. The Futures of Artistic Research 1 University of the Arts Helsinki. Helsinki Public Url
Krysa J. 2015. The Politics of Contemporary Curating: a Technological Perspective Martin R. The Routledge Companion to Art and Politics Routledge 9781317567806 Publisher Url
Krysa J. Kurator - a proposal for an experimental, permutational software application capable of curating exhibitions Bang Larsen L. Networks Whitechapel Gallery and MIT Press. London, Cambridge Mass. 978-0-262-52575-6 Publisher Url
Krysa J. Curatorial Alternative to What: From Alternative Forms to Everyday Technologies Krajewski P, Kutlubasis-Krajewska V. WRO 2011: Alternative Now WRO Art Foundation Publisher Url
Krysa J. Some Questions on Curating as Public Interface Ulrik Andersen C, Cox G, Lund J. Public Interfaces Vol. 1, No.1 Aarhus University. Aarhus Publisher Url
Krysa J. Distributed Curating and Immateriality Paul C. New Media in the White Cube and Beyond: Curatorial Models for Digital Art Berkeley: University of California Press 9780520255975 Publisher Url
Krysa J, Sedek G. Source Code Fuller M. Software Studies. A Lexicon MIT Press. Cambridge Mass. 9780262062749 Publisher Url
Krysa J. Episodic in Computational Worlds Cooper R, Parmer S, Willsdon D. The Two Sided Lake: Scenarios, storyboards and sets from Liverpool Biennial 2016 Liverpool University Press. Liverpool 9781781383407 Publisher Url
Internet publication
Elmgreen & Dragset , Fokidis M, Smith T, Engberg J, Krysa J, Manacorda F, Malasauskas M, Cox G, Lund J, Kølbæk Iversen A, Gfader V. 2017. The Biennial Condition, vol 6/2017, Stages, Liverpool Biennial, Krysa (ed.) Publisher Url
Editorial/letter to the editor
Krysa J, Andersen C, Cox G, Gansing K, Koefoed Hansen L. 2016. What happens when research is less about exchange and more about excess? (Editorial) APRJA (A Peer-reviewed Journal About), VOLUME 5 :1-1 Author Url Publisher Url
Conference publication
Krysa J. Can Machines Curate? Notes on history of technology, hope and paradoxes of curating. Guasque Y. Digital Art: fractures, proliferative preservation and affective dimension, 5th National Symposium of the Brazilian Association of Cyberculture Researchers (ABCiber 2011) Publisher Url
Krysa J. Curating After the Net Reyes-García E, Saleh I. 1st Congress on Web Studies
Krysa J. Programming and Curating for Networks Reyes-García E, Zreik K. 2nd International Conference Computer Art Congress 2008 [CAC.2]
Krysa J. Social Technologies and Emergent Forms of Curating, in conjunction with organised panel on Curating in/as Open System, ISEA 2008 14th International Symposium on Electronic Art ISEA Publisher Url
Exhibition
Krysa J. Erkki Kurenniemi. In 2048, dOCUMENTA (13) Publisher Url
Krysa J. Constant: Online archive of Erkki Kurenniemi (In 2048), commssioned exhibition, part of dOCUMENTA 13 exhibition, Kassel 2012 Publisher Url
Krysa J. Silicon Dreams. Art-Science-Technology in the European Union, exhibition, Madrid / San Sebastian, 2010 Publisher Url
Krysa J. Systemics series: Certain peculiar things and ideas, often failed (or, on machines, humans, and running algorithms), exhibition, Kunsthal Aarhus, 2013 Publisher Url
Krysa J. Systemics series: As we may think (or, the next world library), exhibition, Kunsthal Aarhus, 2013 Publisher Url
Krysa J. Systemics series Against the idea of growth, towards poetry (or, how to build a universe that doesn’t fall apart two days later), exhibition, Kunsthal Aarhus, 2014 Publisher Url
Krysa J. Systemics series: Aarhus Report - Avantgarde as network (or, the politics of the ultra local), exhibition, Kunsthal Aarhus, 2014 Publisher Url
Krysa J. Systemics series: Reading Machines - unfolding books and archives, exhibition, Kunsthal Aarhus, 2013 Publisher Url
Krysa J. Systemics series: Nervous Systems - languages of wonder & denial, exhibition, Kunsthal Aarhus, 2014 Publisher Url
Krysa J. Collective Making series (01): Extreme Sharing (solo exhibition by artist group N55), Kunsthal Aarhus 2015 Publisher Url
Krysa J. Collective Making series: DUMP! Multispecies Making and Unmaking, Kunsthal Aarhus, 2015 Publisher Url
Krysa J. Collective Making series (02, part 1):The Symbiosity of Creation/ Ants (solo exhibition by artist Jaroslaw Czarnecki), exhibition, Kunsthal Aarhus, 2015 Publisher Url
Krysa J. Collective Making series (02, part 2): DO IT ( Hans Ulrik Obrist), exhibition, Kunsthal Aarhus, 2015 Publisher Url
Krysa J. Collective Making series (03): Stongue (aolo show by artists Slavs and Tatars), Kunsthal Aarhus 2015 Publisher Url
Krysa J, Bertolotti-Bailey F, Cairns S, Cooper R, Tallant S, Willsdon D, Manacorda F, Malasauskas R, Sandip P, Brannan P, Ying Tan Y. Liverpool Biennial 2016 (co-curator) Publisher Url
Journal article
Krysa J. Collision of Art and Ants Worlds - a conversation with Jussi Parikka and Jaroslaw Czarnecki. Czas Kultury, 188 Publisher Url Public Url
Engagement & Impact
Conference presentation:
The Next Documenta Should be Curated by a Machine, Meta Marathon 2018: AI, NRW-Forum Düsseldorf, Oral presentation. 2018
Between Academic Research and Cultural Institutions – Collaborative Model, Helsinki Art Museum, Helsinki, Oral presentation. 2018
Exhibition as Lab, Media Art History Conference, Re-Create: Theories, Methods and Practices of Research-Creation in the Histories of Media Art, Science and Technology, Montreal, Université du Québec à Montréal and Concordia University, Montreal, Oral presentation. 2015
Writing and Unwriting (Media) Art History. Erkki Kurenniemi 2048. Book Launch Presentation., Media Art History Conference, Re-Create: Theories, Methods and Practices of Research-Creation in the Histories of Media Art, Science and Technology,, Université du Québec à Montréal and Concordia University, Montreal,, Oral presentation. 2015
Keynote: The organized networks of contemporary art: an insider-outsider perspective, Terrain. Contemporary Art in Denmark. Dansk Kunsthistoriker Forening / The Danish Association of Art Historians, National Museum of Denmark, Copenhagen, Oral presentation. 2015
On Curating Archives, Conference in conjunction with the opening of the exhibition by artists Mika Taanila and Erkki Kurenniemi, Kiasma, The Museum of Contemporary Art Kiasma, Helsinki, Oral presentation. 2014
Curating beyond exhibition making, Art History Talks series, Aarhus University, Aarhus University, Oral presentation. 2014
Keynote: Human and Nonhuman Curating. Contemporary Curating and Technology – the Next Turn?,, International Contemporary Art Biennale Göteborg, Keynote Lectures series, Sweden., Göteborg, Sweden, Oral presentation. 2013
Speculations on Archiving, Curating and Algorithms, Save As: Archives and Social Memory symposium, Salt Galata, Istanbul, Oral presentation. 2013
Art Show as Unruly Organism: case study of dOCUMENTA (13), Institute for Art and Cultural Studies, Copenhagen University, Oral presentation. 2013
Who wants to be a curator: speculations on contemporary curating, IKK Artist Talks: Art History and Visual Culture lecture series, Copenhagen University, Oral presentation. 2013
Annual Inaugural Talk, Jutland Art Academy, Aarhus, Denmark, Annual Inaugural Talk, Jutland Art Academy, Aarhus, Denmark, Oral presentation. 2012
Introduction to Keynote Double Lecture – Information in the Quantum World and Different Model of Objects, Anton Zeilinger and Graham Harman, dOCUMENTA (13), Kassel, Germany, Oral presentation. 2012
Keynote: Can Machines Curate?, 5th National Symposium of the Brazilian Association of Cyberculture Researchers (ABCiber 2011), Centro de Cultura e Eventos e no Centro de Comunicação e Expressão da Universidade Federal de Santa Catarina, Florianópolis, Brazil, Poster presentation. 2011
Curatorial Alternatives to What? From alternative forms to the everyday technologies, International Media Art Biennale WRO 2011 Symposium: Alternative Now, Wroclaw, Poland, Oral presentation. 2011
Curating at Source, Positions In Flux, Netherlands Media Art Institute (NIMk), Oral presentation. 2009
'Software Curating: Programming and Curating for Networks, Computer Art Congress, University Monterrey Technologico Mexico, Oral presentation. 2008
Conference organisation:
Design and Empire [working title], co-curator, http://www.biennial.com/events/design-empire-working-title. 2017
The Biennial Condition: On the Contemporaneity and the Episodic (Liverpool Biennial 2016), Organiser and Chair, http://www.biennial.com/events/the-biennial-condition-on-%20contemporaneity-and-the-episodic. 2016
Why Associate, Kunsthal Aarhus, Denmark, Organiser, Chair, http://kunsthalaarhus.dk/en/programmes/seminar-why-associate. 2015
Avant-guarde as Network, in conjunction with curated exhibition Aarhus Rapport: Avant-guarde as Network (or, the Politics of Ultralocal), Kunsthal Aarhus, Denmark, Organiser and Introduction, http://kunsthalaarhus.dk/en/programmes/seminar-systemics-4-avantgarde-as-network. 2014
Systemics #1: Certain peculiar things and ideas, often failed, or on machines, humans and algorithms, Kunsthal Aarhus, Denmark, Organiser, Chair, http://kunsthalaarhus.dk/en/programme/201301#overlay=en/programmes/preview-events-systemics-1. 2013
Systemics #2: As We May Think (or, The World Next Library) - Sound Weekend with Florian Hecker , Kunsthal Aarhus, Denmark, Organiser and Chair, http://kunsthalaarhus.dk/en/programmes/seminar-sound-weekend-with-florian-hecker. 2013
dOCUMENTA (13): Errki Kurenniemi: In 2048, panel in conjunction with the curated exhibition 'Errki Kurenniemi: In 2048', Kassel 20102, Organiser, Chair, http://d13.documenta.de/de/#/research/research/view/online-archive-erkki-kurenniemi-in-2048-2012. 2012
Research Grants Awarded:
Arts Council England, Design and Empire, Grant value (£): 14, 875.00, Duration of research project: 6 months. 2017
Arts Council England, Design and Empire [working title], Grant value (£): 14.875, Duration of research project: 3 months. 2017
Aarhus 2017 Fondet, Permanenta 2017 programme, Kunsthal Aarhus, Grant value (£): 100.000, Duration of research project: 2015-2017. 2014
Ny Carlsberg Fondet, Permanenta 2017: Contemporary Art Biennale as a form, Kunsthal Aarhus, Grant value (£): 150.000, Duration of research project: 2015-2018. 2014
Statens Kunstfonds, Collective Making series 2015-2016, Kunsthal Aarhus, Grant value (£): 180.000, Duration of research project: 2015-2016. 2014
Nordea-Fond, Museum Without Walls program, Kunsthal Aarhus, Grant value (£): 315.000, Duration of research project: 2014-2017. 2014
The Obel Family Foundation, Museum Without Walls programme, Kunsthal Aarhus, Grant value (£): 150.000, Duration of research project: 2015-2017. 2014
Statens Kunstfonds, Systemics Series 2013-2014, Kunsthal Aarhus, Grant value (£): 200.000, Duration of research project: 2013-2014. 2012
External PGR examinations performed:
Chelsea College of Arts, University of the Arts London, PhD, Curating Across Interfaces: An Account of a (Hybrid) Expanding Exhibition. 2017
Chelsea College of Arts, University of the Arts London, PhD, The Emergence of the Art, Science and Technology Artworlds. 2016
Editorial boards:
Stages (Publisher: Liverpool Biennial), Commissioning Editor, http://www.biennial.com/journal. 2017
Data Browser book series, Series Editor, http://www.data-browser.net/. 2014
APRJA (A Peer Review Journal About_), Editorial Board, http://www.aprja.net/. 2013
Other invited event:
Future Past Tense: Archeologies of Media and Technology, , The Archaeologies of Media and Technology (AMT) Research Group, University of Southampton, Winchester School of Art, UK, Panel. 2016
Look back, think forward: re-shaping the Nordic avant garde, Tate Modern, London, UK, Panel event. 2016
Writing and Unwriting (Media) Art History (MIT Press 2015), book launch, Montreal, Canada, Concordia University, Montreal, Canada, Book launch event co-organiser and participant. 2015
Art History Talks series, Aarhus University, Aarhus University, Presentation. 2014
Art History and Visual Culture lecture series, Copenhagen University, Denmark, Copenhagen University, Denmark, Presentation. 2013
Institute for Art and Cultural Studies, Copenhagen University, Denmark, Copenhagen University, Denmark, Invited lecture. 2013
Annual Inaugural Talk, Jutland Art Academy, Aarhus, Denmark, Jutland Art Academy, Aarhus, Denmark, Presentation. 2012
dOCUMENTA (13) Keynote Lectures Series: Anton Zeilinger and Graham Harman, Kassel 2012, dOCUMENTA (13), Kassel, Germany, Introduction and Chair of Keynote Lectures: Anton Zeilinger and Graham Harman. 2012
dOCUMENTA (13): Paper Mornings: Speaking Code book launch, Kassel 2012, dOCUMENTA (13), Kassel, Germany, Book Launch Event participant. 2012
Award:
Honorary Associate Professor in Curating, Aarhus University, http://www.au.dk/en/. 2016
External collaboration:
http://www.researchpavilion.fi/?gclid=EAIaIQobChMIpqHagdek1gIVhLvtCh0SrgBJEAAYASAAEgIST_D_BwE, Research Pavilion, University of the Arts Helsinki. 2016
http://contemporaneity.au.dk/, Aarhus University, Research Project ‘The Contemporary Condition: Representation and Experience of Contemporaneity in and through Contemporary Art Practice’,. 2014
http://www.kansallisgalleria.fi/en/, The Finnish National Gallery, The Finnish National Gallery. 2010
http://d13.documenta.de/, Documenta, Documenta 13. 2009
http://www.wrocenter.pl/en, International Media Art Foundation WRO, International Media Art Foundation WRO. 2004
http://transmediale.de/content/excessive-research-0, Transmediale Festival, Berlin, Transmediale Festival.
http://www.southampton.ac.uk/amt/about/index.page?, Winchester School of Art, University of Southampton, Professor Jussi Parikka.
Industrial connections:
Liverpool Biennial, UK, Head of Research, http://www.biennial.com/. 2015
Kunsthal Aarhus, Artistic Director, http://kunsthalaarhus.dk/. 2012
ARCO International Contemporary Art Fair Madrid, Jury Member, http://www.ifema.es/fundacionarco_01/. 2007
External PGR Supervision - completed students:
Aarhus University, PhD, Noise is Medially. 2015
Copenhagen University, Other, Aarhus Rapport - Avantgarde and the Ultralocal. 2015
Plymouth University, MPhil, Public Life and Pervasive Systems: A Critical Practice. 2006
Membership of professional bodies:
IKT International Association of Curators of Contemporary Art, IKT International Association of Curators of Contemporary Art, http://www.iktsite.org/. 2015
External committees:
Research Project ‘The Contemporary Condition: Representation and Experience of Contemporaneity in and through Contemporary Art Practice’, Aarhus University, Denmark, Aarhus University, Denmark, Advisor, http://contemporaneity.au.dk/. 2015
dOCUMENTA (13) Curatorial Team, documenta und Museum Fridericianum Veranstaltungs-GmbH, Member of Curatorial Team, http://d13.documenta.de/. 2009
Scientific Committee International Congress on Web Studies, University Tecnologico de Monterrey, Mexico, Member, http://www.itesm.mx/wps/wcm/connect/ITESM/Tecnologico+de+Monterrey/English. 2009
Scientific Committee, Ministry of Science and Innovation, Spain, Ministry of Science and Innovation, Member, http://www.idi.mineco.gob.es/portal/site/MICINN/?lang_choosen=en. 2009
International Media Art Foundation WRO Council of Management, Media Art Foundation WRO, Council of Management, http://www.wrocenter.pl/en/o-wro/. 2004
Teaching qualification:
LTHE Learning and Teaching in Higher Education. 2001
Media Coverage:
http://artforum.com/diary/archive=201607, Artforum, Brexit Wounds - Liverpool Biennial 2016, 19 July 2016..
http://artforum.com/picks/section=eu#picks49360, Artforum, 10 December 2014. Critics’ Pick, review of Systemics #4 exhibition, Kerry Greaves..
http://artforum.com/picks/section=eu#picks49360, Artforum, Critics’ Pick, Kerry Greaves. Review of Systemics #4 exhibition, 10 December 2014..
http://moussemagazine.it/liverpool-biennial-2016/, Mousse, “Liverpool Biennial 2016” at various venues, Liverpool, Barbara Casavecchia, 30 September 2016..
http://theartnewspaper.com/comment/articles/authors/15665/, The Art Newspaper, Liverpool Biennial: Isil iconoclasm, a Scouse musical and a laser show in a reservoir, 2016..
http://www.afterall.org/online/on-connecting-past-and-present_aarhus-rapport_atkunsthal-aarhus/#.VJV49AoH0, Afterall, 19 December 2014. Review 'On Connecting Past and Present: 'Aarhus Rapport' at Kunsthal Aarhus' (Line Ellegaard), Review of curated exhibition 'Systemics #4'.
http://www.e-flux.com/announcements/slavs-and-tatars-3/, Kopenhagen Magazine, 22 December 2015, Slavs and Tatars: STONGUE @ Kunsthal Aarhus, Sarah Holm. Review of Collective Making 03: Slavs and Tatars exhibition.
http://www.frieze.com/issue/review/systemics-3/, Frieze, 27 March 2014. Review of exhibition Systemics #3, Christy Lang..
http://www.itv.com/news/granada/update/2016-07-08/liverpool-biennial-art-festival-gets-%20underway/, ITV News, Liverpool Biennial – Art Festival Gets Underway, 8 July 2016.
http://www.kunstkritikk.dk/artikler/velfaerds-avantgarden/, Kunstkritikk, Velfaerds Avantgarden, Mathias Kryger. Review of symposium Avantguard as Network, 31 October 2014..
https://frieze.com/article/liverpool-biennial-2016, Freeze, Liverpool Biennial 2016: Near and far, fact and fiction: highlights from this year's festival, Amy Sherlock, 11 July 2016..
https://www.a-n.co.uk/news/liverpool-biennial-2016-intelligent-timely-and-%20bustling-with-energy, A-N, Liverpool Biennial 2016: intelligent, timely and bustling with energy, 11 July 2006..
https://www.freitag.de/autoren/lets-talk-about-art/active-archives, Freitag, 30 November 2012, Cornelia Sollfrank. Review of Documenta 13 exhibition Erkki Kurenniemi: in 2048, and commission by Constant: Erkki Kurenniemi Online Archive..
https://www.taz.de/Ausstellung-in-der-Kunsthalle-Aarhus/!131564/, Taz. Die Tageszeitung, Berlin, Fatma Aydemir. Review of exhibition Systemics #3, 23 January 2014..
Other Professional Activity:
External Examiner, MA Culture, Criticism and Curation, Central Saint Martins, University of the Arts, London (2016-2020)..