Joasia Krysa

Prof Joasia Krysa

Faculty: Faculty of Arts Professional and Social Studies

School: Liverpool School of Art and Design

Biography

Joasia Krysa is Professor of Exhibition Research and Director of Exhibition Research Lab at Liverpool John Moores University, with a joint appointment at Liverpool Biennial. In 2016, she was awarded an Honorary Associate Professorship in Curating at Aarhus University, Denmark. Formerly, she served as Artistic Director of Kunsthal Aarhus, Denmark (2012-2015), was part of curatorial team for Documenta 13, and co-curated Liverpool Biennial 2016.

She has a background in Curatorial Studies (Goldsmiths, University of London), Cultural Studies (Wroclaw University), Political Sciences (Maria Curie Sklodowska University), and has PhD in Curating. Her research is located across contemporary art, digital culture and critical theory, with a distinctive research expertise at the intersection of curating and computational cultures.

At Liverpool John Moores' School of Art and Design, Prof. Krysa is heading Exhibition Research Lab (ERL), academic research centre and public exhibition venue dedicated to the interdisciplinary study of exhibitions and curatorial knowledge. Founded in 2012, ERL is uniquely underpinned by collaborative posts held by staff with cultural institutions in Liverpool - Tate Liverpool, FACT (Foundation for Art and Technology), RIBA North (Royal Institute of British Architects), John Moores Painting Prize, and Liverpool Biennial. The Lab comprises research activities, postgraduate and doctoral programmes, and curated public engagement and exhibitions programme. At Liverpool Biennial, she is Head of Research, part of the biennial curatorial team, and commissioning editor of Stages, an online contemporary art journal published by Liverpool Biennial.

Prof. Krysa serves on external advisory and editorial boards, including as academic advisor for Danish Research Council founded project 'The Contemporary Condition’ at Aarhus University (2015 – 2018); affiliated member of AMT - Archaeologies of Media & Technology Research, Winchester School of Art, Southampton University; editorial board of peer review open access journal APRJA (published by Aarhus University and Transmediale); and council of management of Media Art Foundation WRO (Poland). She is also a Series Editor of DATA Browser books (Autonomedia, New York) and commissioning editor (with Sally Tallant) of contemporary art journal Stages (published by Liverpool Biennial).

Most significant publications include: edited books Systemics, or Exhibition as a Series (Sternberg Press, 2017) and Writing and Unwriting (Media) Art History' (MIT Press 2015); chapters in Networks (Whitechapel/MIT Press 2014) and The Routledge Companion to Art and Politics' (2015), authored publication 'Ada Lovelace', in the dOCUMENTA (13) notebook series '100 Thoughts - 100 Notes' (Hatje Cantz 2012); and edited anthology Curating Immateriality: The Work of The Curator in The Age of Network System' (Autonomedia, 2006). Recent curatorial work include Liverpool Biennial 2016; exhibition series 'Collective Making' (2015-2016) and 'Systemics' (2013-2014) at Kunsthal Aarhus, Denmark, and dOCUMENTA 13 (Kassel 2012) where amongst other things, she was responsible for preparing the first international retrospective of Finish artist and technology pioneer Erkki Kurenniemi and worked with artists including Mika Taanila, Song Dong, Tarek Atoui.

Prof. Krysa is currently co-curating Arts Council England funded international project 'Design and Empire' (with Emily King and Prem Krishnamurthy), part of curatorial team for Liverpool Biennial 2018, and working on a new monograph publication on curating and computational culture for Routledge (2019).

Degrees

Plymouth University, United Kingdom, PhD Curating
Goldsmiths University of London, United Kingdom, MA Fine Art Curating
University of Wroclaw, Poland, MA Cultural Studies
University of Marie Curie, Poland, MA Political Sciences

Academic appointments

Professor of Exhibition Research, Liverpool John Moores University, in partnership with Liverpool Biennial, 2017 - present
Honorary Visiting Associate Professor in Curating, Aarhus University, 2016 - 2021
Academic Advisor, The Contemporary Condition research project, Aarhus University, 2015 - 2018
Advisory Board Member, APRJA journal, Aarhus University, 2014 - present

Postgraduate training

Learning and Teaching in Higher Education (LTHE), UK, Plymouth University, ? - present

Publications

Highlighted publications

Elmgreen & Dragset , Fokidis M, Smith T, Engberg J, Krysa J, Manacorda F, Malasauskas M, Cox G, Lund J, Kølbæk Iversen A, Gfader V. 2017. The Biennial Condition, vol 6/2017, Stages, Liverpool Biennial, Krysa (ed.)

“Bifo” Berardi F, Groys B, Parikka J, Bang Larsen L, Rodriquez Muñoz B, Hellberg F, Kokholm M. 2017. Systemics (or, Exhibition as a Series). Index of Exhibitions and Related Materials, 2013-14 Krysa J. :7-120 Sternberg Press. Berlin 978-3-95679-162-8

Krysa J. 2015. The Politics of Contemporary Curating: a Technological Perspective Martin R. The Routledge Companion to Art and Politics Routledge 9781317567806

Krysa J, Parikka J, Huhtamo E, Rastas P, Kurenniemi E, Paasonen S, Bang Larsen L, Sondergaard M, Ernst W, Rossaak E, Kuljuntausta P, Hecker F, Mackay R, Taanila M, Turkki T, Lassfolk K, Suominen J, Ojanen M. 2015. Writing and Unwriting (Media) Art History. Erkki Kurenniemi in 2048 Krysa J, Parikka J. The MIT Press. Cambridge MA 9780262029582

Krysa J. 2014. Kurator - a proposal for an experimental, permutational software application capable of curating exhibitions Bang Larsen L. Networks Whitechapel Gallery and MIT Press. London, Cambridge Mass. 978-0-262-52575-6

Krysa J, Bertolotti-Bailey F, Cairns S, Cooper R, Tallant S, Willsdon D, Manacorda F, Malasauskas R, Sandip P, Brannan P, Ying Tan Y. Liverpool Biennial 2016 (co-curator)

Book

Krysa J. 2012. Ada Lovelace, Notebook 55, 100 Notes - 100 Thoughts, Documenta 13 Carolyn Christov-Bakargiev C. 55 Hrsg. documenta und Museum Fridericianum Veranstaltungs-GmbH and Hatje Cantz 978-3-7757-3084-6

Chapters

Krysa J. 2017. Exhibitionary practices at the intersection of academic research and public display Seppä A, Slager H, Kaila J. The Futures of Artistic Research 1 University of the Arts Helsinki. Helsinki

Krysa J. 2016. Episodic in Computational Worlds Cooper R, Parmer S, Willsdon D. The Two Sided Lake: Scenarios, storyboards and sets from Liverpool Biennial 2016 Liverpool University Press. Liverpool 9781781383407

Krysa J. 2015. The Politics of Contemporary Curating: a Technological Perspective Martin R. The Routledge Companion to Art and Politics Routledge 9781317567806

Krysa J. 2012. Curatorial Alternative to What: From Alternative Forms to Everyday Technologies Krajewski P, Kutlubasis-Krajewska V. WRO 2011: Alternative Now WRO Art Foundation

Krysa J. 2011. Some Questions on Curating as Public Interface Ulrik Andersen C, Cox G, Lund J. Public Interfaces Vol. 1, No.1 Aarhus University. Aarhus

Krysa J, Sedek G. 2008. Source Code Fuller M. Software Studies. A Lexicon MIT Press. Cambridge Mass. 9780262062749

Krysa J. 2008. Distributed Curating and Immateriality Paul C. New Media in the White Cube and Beyond: Curatorial Models for Digital Art Berkeley: University of California Press 9780520255975

Internet publication

Journal article

Krysa J. 2016. Collision of Art and Ants Worlds - a conversation with Jussi Parikka and Jaroslaw Czarnecki. Czas Kultury, 188

Editorial/letter to the editor

Krysa J, Andersen C, Cox G, Gansing K, Koefoed Hansen L. 2016. What happens when research is less about exchange and more about excess? (Editorial) APRJA (A Peer-reviewed Journal About), VOLUME 5 :1-1

Conference publication

Krysa J. 2014. Can Machines Curate? Notes on history of technology, hope and paradoxes of curating. Guasque Y. Digital Art: fractures, proliferative preservation and affective dimension, 5th National Symposium of the Brazilian Association of Cyberculture Researchers (ABCiber 2011)

Krysa J. 2010. Curating After the Net Reyes-García E, Saleh I. 1st Congress on Web Studies

Krysa J. 2008. Social Technologies and Emergent Forms of Curating, in conjunction with organised panel on Curating in/as Open System, ISEA 2008 14th International Symposium on Electronic Art ISEA

Krysa J. 2008. Programming and Curating for Networks Reyes-García E, Zreik K. 2nd International Conference Computer Art Congress 2008 [CAC.2]

Exhibition

Krysa J, Bertolotti-Bailey F, Cairns S, Cooper R, Tallant S, Willsdon D, Manacorda F, Malasauskas R, Sandip P, Brannan P, Ying Tan Y. Liverpool Biennial 2016 (co-curator)

Krysa J. Collective Making series (03): Stongue (aolo show by artists Slavs and Tatars), Kunsthal Aarhus 2015

Krysa J. Collective Making series (02, part 2): DO IT ( Hans Ulrik Obrist), exhibition, Kunsthal Aarhus, 2015

Krysa J. Collective Making series (02, part 1):The Symbiosity of Creation/ Ants (solo exhibition by artist Jaroslaw Czarnecki), exhibition, Kunsthal Aarhus, 2015

Krysa J. Collective Making series: DUMP! Multispecies Making and Unmaking, Kunsthal Aarhus, 2015

Krysa J. Collective Making series (01): Extreme Sharing (solo exhibition by artist group N55), Kunsthal Aarhus 2015

Krysa J. Systemics series: Nervous Systems - languages of wonder & denial, exhibition, Kunsthal Aarhus, 2014

Krysa J. Systemics series: Reading Machines - unfolding books and archives, exhibition, Kunsthal Aarhus, 2013

Krysa J. Systemics series: Aarhus Report - Avantgarde as network (or, the politics of the ultra local), exhibition, Kunsthal Aarhus, 2014

Krysa J. Systemics series Against the idea of growth, towards poetry (or, how to build a universe that doesn’t fall apart two days later), exhibition, Kunsthal Aarhus, 2014

Krysa J. Systemics series: As we may think (or, the next world library), exhibition, Kunsthal Aarhus, 2013

Krysa J. Systemics series: Certain peculiar things and ideas, often failed (or, on machines, humans, and running algorithms), exhibition, Kunsthal Aarhus, 2013

Krysa J. Silicon Dreams. Art-Science-Technology in the European Union, exhibition, Madrid / San Sebastian, 2010

Krysa J. Constant: Online archive of Erkki Kurenniemi (In 2048), commssioned exhibition, part of dOCUMENTA 13 exhibition, Kassel 2012

Krysa J. Erkki Kurenniemi. In 2048, dOCUMENTA (13)

Engagement & Impact

Award:

Award title: Honorary Associate Professor in Curating, Awarding body: Aarhus University, URL: http://www.au.dk/en/

Conference organisation:

Conference name: The Biennial Condition: On the Contemporaneity and the Episodic (Liverpool Biennial 2016), Position: Organiser and Chair, URL: http://www.biennial.com/events/the-biennial-condition-on-%20contemporaneity-and-the-episodic

Conference name: dOCUMENTA (13): Errki Kurenniemi: In 2048, panel in conjunction with the curated exhibition 'Errki Kurenniemi: In 2048', Kassel 20102, Position: Organiser, Chair, URL: http://d13.documenta.de/de/#/research/research/view/online-archive-erkki-kurenniemi-in-2048-2012

Conference name: Systemics #1: Certain peculiar things and ideas, often failed, or on machines, humans and algorithms, Kunsthal Aarhus, Denmark, Position: Organiser, Chair, URL: http://kunsthalaarhus.dk/en/programme/201301#overlay=en/programmes/preview-events-systemics-1

Conference name: Why Associate, Kunsthal Aarhus, Denmark, Position: Organiser, Chair, URL: http://kunsthalaarhus.dk/en/programmes/seminar-why-associate

Conference name: Systemics #2: As We May Think (or, The World Next Library) - Sound Weekend with Florian Hecker , Kunsthal Aarhus, Denmark, Position: Organiser and Chair, URL: http://kunsthalaarhus.dk/en/programmes/seminar-sound-weekend-with-florian-hecker

Conference name: Avant-guarde as Network, in conjunction with curated exhibition Aarhus Rapport: Avant-guarde as Network (or, the Politics of Ultralocal), Kunsthal Aarhus, Denmark, Position: Organiser and Introduction, URL: http://kunsthalaarhus.dk/en/programmes/seminar-systemics-4-avantgarde-as-network

Conference presentation:

Title of presentation: 'Software Curating: Programming and Curating for Networks, Conference title: Computer Art Congress, Place/location of conference: University Monterrey Technologico Mexico, Presentation type: Oral presentation

Title of presentation: Curating at Source, Conference title: Positions In Flux, Place/location of conference: Netherlands Media Art Institute (NIMk), Presentation type: Oral presentation

Title of presentation: Curatorial Alternatives to What? From alternative forms to the everyday technologies, Conference title: International Media Art Biennale WRO 2011 Symposium: Alternative Now, Place/location of conference: Wroclaw, Poland, Presentation type: Oral presentation

Title of presentation: Annual Inaugural Talk, Jutland Art Academy, Aarhus, Denmark, Conference title: Annual Inaugural Talk, Place/location of conference: Jutland Art Academy, Aarhus, Denmark, Presentation type: Oral presentation

Title of presentation: Introduction to Keynote Double Lecture – Information in the Quantum World and Different Model of Objects, Anton Zeilinger and Graham Harman, Conference title: dOCUMENTA (13), Place/location of conference: Kassel, Germany, Presentation type: Oral presentation

Title of presentation: Art Show as Unruly Organism: case study of dOCUMENTA (13), Conference title: Institute for Art and Cultural Studies, Place/location of conference: Copenhagen University, Presentation type: Oral presentation

Title of presentation: Who wants to be a curator: speculations on contemporary curating, Conference title: IKK Artist Talks: Art History and Visual Culture lecture series, Place/location of conference: Copenhagen University, Presentation type: Oral presentation

Title of presentation: Speculations on Archiving, Curating and Algorithms, Conference title: Save As: Archives and Social Memory symposium, Place/location of conference: Salt Galata, Istanbul, Presentation type: Oral presentation

Title of presentation: On Curating Archives, Conference title: Conference in conjunction with the opening of the exhibition by artists Mika Taanila and Erkki Kurenniemi, Kiasma, Place/location of conference: The Museum of Contemporary Art Kiasma, Helsinki, Presentation type: Oral presentation

Title of presentation: Curating beyond exhibition making, Conference title: Art History Talks series, Aarhus University, Place/location of conference: Aarhus University, Presentation type: Oral presentation

Title of presentation: Writing and Unwriting (Media) Art History. Erkki Kurenniemi 2048. Book Launch Presentation., Conference title: Media Art History Conference, Re-Create: Theories, Methods and Practices of Research-Creation in the Histories of Media Art, Science and Technology,, Place/location of conference: Université du Québec à Montréal and Concordia University, Montreal,, Presentation type: Oral presentation

Title of presentation: Exhibition as Lab, Conference title: Media Art History Conference, Re-Create: Theories, Methods and Practices of Research-Creation in the Histories of Media Art, Science and Technology, Montreal, Place/location of conference: Université du Québec à Montréal and Concordia University, Montreal, Presentation type: Oral presentation

Title of presentation: Keynote: Can Machines Curate?, Conference title: 5th National Symposium of the Brazilian Association of Cyberculture Researchers (ABCiber 2011), Place/location of conference: Centro de Cultura e Eventos e no Centro de Comunicação e Expressão da Universidade Federal de Santa Catarina, Florianópolis, Brazil, Presentation type: Poster presentation

Title of presentation: Keynote: Human and Unhuman Curating. Contemporary Curating and Technology – the Next Turn?,, Conference title: International Contemporary Art Biennale Göteborg, Keynote Lectures series, Sweden., Place/location of conference: Göteborg, Sweden, Presentation type: Oral presentation

Title of presentation: Keynote: The organized networks of contemporary art: an insider-outsider perspective, Conference title: Terrain. Contemporary Art in Denmark. Dansk Kunsthistoriker Forening / The Danish Association of Art Historians, Place/location of conference: National Museum of Denmark, Copenhagen, Presentation type: Oral presentation

Editorial boards:

Publication: Stages, open access contemporary art journal, published by Liverpool Biennial, Position: Commissioning Editor, URL: http://www.biennial.com/journal

Publication: Data Browser book series, Position: Series Editor, URL: http://www.data-browser.net/

Publication: APRJA (A Peer Review Journal About_), Position: Editorial Board, URL: http://www.aprja.net/

External collaboration:

URL: http://www.researchpavilion.fi/?gclid=EAIaIQobChMIpqHagdek1gIVhLvtCh0SrgBJEAAYASAAEgIST_D_BwE, Institution: Research Pavilion, Collaborator: University of the Arts Helsinki

URL: http://www.southampton.ac.uk/amt/about/index.page?, Institution: Winchester School of Art, University of Southampton, Collaborator: Professor Jussi Parikka

URL: http://d13.documenta.de/, Institution: Documenta, Collaborator: Documenta 13

URL: http://www.kansallisgalleria.fi/en/, Institution: The Finnish National Gallery, Collaborator: The Finnish National Gallery

URL: http://contemporaneity.au.dk/, Institution: Aarhus University, Collaborator: Research Project ‘The Contemporary Condition: Representation and Experience of Contemporaneity in and through Contemporary Art Practice’,

URL: http://transmediale.de/content/excessive-research-0, Institution: Transmediale Festival, Berlin, Collaborator: Transmediale Festival

URL: http://www.wrocenter.pl/en, Institution: International Media Art Foundation WRO, Collaborator: International Media Art Foundation WRO

External committees:

Committee name: International Media Art Foundation WRO Council of Management, Organisation: Media Art Foundation WRO, Position: Council of Management, URL: http://www.wrocenter.pl/en/o-wro/

Committee name: Scientific Committee International Congress on Web Studies, Organisation: University Tecnologico de Monterrey, Mexico, Position: Member, URL: http://www.itesm.mx/wps/wcm/connect/ITESM/Tecnologico+de+Monterrey/English

Committee name: Scientific Committee, Ministry of Science and Innovation, Spain, Organisation: Ministry of Science and Innovation, Position: Member, URL: http://www.idi.mineco.gob.es/portal/site/MICINN/?lang_choosen=en

Committee name: dOCUMENTA (13) Curatorial Team, Organisation: documenta und Museum Fridericianum Veranstaltungs-GmbH, Position: Member of Curatorial Team, URL: http://d13.documenta.de/

Committee name: Research Project ‘The Contemporary Condition: Representation and Experience of Contemporaneity in and through Contemporary Art Practice’, Aarhus University, Denmark, Organisation: Aarhus University, Denmark, Position: Advisor, URL: http://contemporaneity.au.dk/

External PGR examinations performed:

Name of University: Chelsea College of Arts, University of the Arts London, Award student examined for: PhD, Thesis title: Curating Across Interfaces: An Account of a (Hybrid) Expanding Exhibition

Name of University: Chelsea College of Arts, University of the Arts London, Award student examined for: PhD, Thesis title: The Emergence of the Art, Science and Technology Artworlds

External PGR Supervision - completed students:

Name of University: Copenhagen University, Award gained by the student: Other, Thesis title: Aarhus Rapport - Avantgarde and the Ultralocal

Name of University: Plymouth University, Award gained by the student: MPhil, Thesis title: Public Life and Pervasive Systems: A Critical Practice

Name of University: Aarhus University, Award gained by the student: PhD, Thesis title: Noise is Medially

Industrial connections:

Company: ARCO International Contemporary Art Fair Madrid, Position or project: Jury Member, URL: http://www.ifema.es/fundacionarco_01/

Company: Kunsthal Aarhus, Position or project: Artistic Director, URL: http://kunsthalaarhus.dk/

Company: Liverpool Biennial, UK, Position or project: Head of Research, URL: http://www.biennial.com/

Media Coverage:

Links #1: https://www.freitag.de/autoren/lets-talk-about-art/active-archives, Media coverage: Freitag, 30 November 2012, Cornelia Sollfrank. Review of Documenta 13 exhibition Erkki Kurenniemi: in 2048, and commission by Constant: Erkki Kurenniemi Online Archive.

Links #1: https://www.taz.de/Ausstellung-in-der-Kunsthalle-Aarhus/!131564/, Media coverage: Taz. Die Tageszeitung, Berlin, Fatma Aydemir. Review of exhibition Systemics #3, 23 January 2014.

Links #1: http://www.kunstkritikk.dk/artikler/velfaerds-avantgarden/, Media coverage: Kunstkritikk, Velfaerds Avantgarden, Mathias Kryger. Review of symposium Avantguard as Network, 31 October 2014.

Links #1: http://artforum.com/picks/section=eu#picks49360, Media coverage: Artforum, Critics’ Pick, Kerry Greaves. Review of Systemics #4 exhibition, 10 December 2014.

Links #1: http://theartnewspaper.com/comment/articles/authors/15665/, Media coverage: The Art Newspaper, Liverpool Biennial: Isil iconoclasm, a Scouse musical and a laser show in a reservoir, 2016.

Links #1: http://www.itv.com/news/granada/update/2016-07-08/liverpool-biennial-art-festival-gets-%20underway/, Media coverage: ITV News, Liverpool Biennial – Art Festival Gets Underway, 8 July 2016

Links #1: https://www.a-n.co.uk/news/liverpool-biennial-2016-intelligent-timely-and-%20bustling-with-energy, Media coverage: A-N, Liverpool Biennial 2016: intelligent, timely and bustling with energy, 11 July 2006.

Links #1: http://artforum.com/diary/archive=201607, Media coverage: Artforum, Brexit Wounds - Liverpool Biennial 2016, 19 July 2016.

Links #1: https://frieze.com/article/liverpool-biennial-2016, Media coverage: Freeze, Liverpool Biennial 2016: Near and far, fact and fiction: highlights from this year's festival, Amy Sherlock, 11 July 2016.

Links #1: http://moussemagazine.it/liverpool-biennial-2016/, Media coverage: Mousse, “Liverpool Biennial 2016” at various venues, Liverpool, Barbara Casavecchia, 30 September 2016.

Links #1: http://www.e-flux.com/announcements/slavs-and-tatars-3/, Media coverage: Kopenhagen Magazine, 22 December 2015, Slavs and Tatars: STONGUE @ Kunsthal Aarhus, Sarah Holm. Review of Collective Making 03: Slavs and Tatars exhibition

Links #1: http://www.frieze.com/issue/review/systemics-3/, Media coverage: Frieze, 27 March 2014. Review of exhibition Systemics #3, Christy Lang.

Links #1: http://artforum.com/picks/section=eu#picks49360, Media coverage: Artforum, 10 December 2014. Critics’ Pick, review of Systemics #4 exhibition, Kerry Greaves.

Links #1: http://www.afterall.org/online/on-connecting-past-and-present_aarhus-rapport_atkunsthal-aarhus/#.VJV49AoH0, Media coverage: Afterall, 19 December 2014. Review 'On Connecting Past and Present: 'Aarhus Rapport' at Kunsthal Aarhus' (Line Ellegaard), Review of curated exhibition 'Systemics #4'

Membership of professional bodies:

IKT International Association of Curators of Contemporary Art, IKT International Association of Curators of Contemporary Art, http://www.iktsite.org/

Other invited event:

Title of event: Look back, think forward: re-shaping the Nordic avant garde, Location: Tate Modern, London, UK, Description: Panel event

Title of event: Future Past Tense: Archeologies of Media and Technology, , The Archaeologies of Media and Technology (AMT) Research Group, Location: University of Southampton, Winchester School of Art, UK, Description: Panel

Title of event: Annual Inaugural Talk, Jutland Art Academy, Aarhus, Denmark, Location: Jutland Art Academy, Aarhus, Denmark, Description: Presentation

Title of event: Writing and Unwriting (Media) Art History (MIT Press 2015), book launch, Montreal, Canada, Location: Concordia University, Montreal, Canada, Description: Book launch event co-organiser and participant

Title of event: dOCUMENTA (13): Paper Mornings: Speaking Code book launch, Kassel 2012, Location: dOCUMENTA (13), Kassel, Germany, Description: Book Launch Event participant

Title of event: dOCUMENTA (13) Keynote Lectures Series: Anton Zeilinger and Graham Harman, Kassel 2012, Location: dOCUMENTA (13), Kassel, Germany, Description: Introduction and Chair of Keynote Lectures: Anton Zeilinger and Graham Harman

Title of event: Institute for Art and Cultural Studies, Copenhagen University, Denmark, Location: Copenhagen University, Denmark, Description: Invited lecture

Title of event: Art History and Visual Culture lecture series, Copenhagen University, Denmark, Location: Copenhagen University, Denmark, Description: Presentation

Title of event: Art History Talks series, Aarhus University, Location: Aarhus University, Description: Presentation

Other Professional Activity:

Describe the Professional Activities: External Examiner, MA Culture, Criticism and Curation, Central Saint Martins, University of the Arts, London (2016-2020).

Research Grants Awarded:

Arts Council England, Design and Empire, Grant value (£): 14, 875.00, Duration of research project: 6 months

Aarhus 2017 Fondet, Permanenta 2017 programme, Kunsthal Aarhus, Grant value (£): 100.000, Duration of research project: 2015-2017

Statens Kunstfonds, Systemics Series 2013-2014, Kunsthal Aarhus, Grant value (£): 200.000, Duration of research project: 2013-2014

The Obel Family Foundation, Museum Without Walls programme, Kunsthal Aarhus, Grant value (£): 150.000, Duration of research project: 2015-2017

Nordea-Fond, Museum Without Walls program, Kunsthal Aarhus, Grant value (£): 315.000, Duration of research project: 2014-2017

Statens Kunstfonds, Collective Making series 2015-2016, Kunsthal Aarhus, Grant value (£): 180.000, Duration of research project: 2015-2016

Ny Carlsberg Fondet, Permanenta 2017: Contemporary Art Biennale as a form, Kunsthal Aarhus, Grant value (£): 150.000, Duration of research project: 2015-2018

Teaching qualification:

Title of qualification gained: LTHE Learning and Teaching in Higher Education