Teri is a Lecturer in Drama contributing at all levels to the programme.
Teri's practice and research spans several areas including: immersive and one-to-one theatres, participatory theatres, site-specific theatres, applied theatres, and contemporary devised theatre. She is also interested in work on the theme of arts and health, particularly theatre and dementia.
She is currently co-convening a symposium for LJMU on arts, health and well-being on September 14th
Since joining LJMU, she has been involved with the construction of labyrinths with Alex Irving, assisting with a candlelit labyrinth for Light Night, Liverpool 2017 and two further labyrinths as part of a series of work on dementia. The collaborative project has also involved workshops and performance to challenge the stigma associated with dementia, through drawing on people’s collected experiences and stories of living with dementia. To date this the team have created a labyrinth installation at the Open Eye Gallery in October 2017 , a labyrinth installation at the Anglican Cathedral as part of the Liverpool Biennial 2018, and several performances at venues across the city including Laughterhouse Comedy Club between November 2017 and August 2018.
Teri has participated in a number of community performance ventures, including sensory labryinth and interactive/ immersive theatre performances such as: 'Fear' (2014) Theatr Dan y Coed, 'Cerebellium' (2012 and 2013) Pontio, Bangor; 'Digital Tea Dance' (2011), Pontio, Bangor ; 'Come the Dawn' (2009),Theatr Cynefin, Conwy Falls. Teri also created a small installation piece for the Gwaith Powdr nature reserve trail in Penrhyndaedraeth in 2009, as part of an arts project in the reserve.
Between 2009 and 2012, Teri attended training and performance events through the European Youth in Action programme in Portugal, Macedonia, Austria, Romania and the UK, in Sensory Labyrinth Theatre, Forum Theatre, Theatre of the Oppressed, and Danceability, led by several European theatre companies and taught by Iwan Brioc (TROTI and Theatr Cynefin), Vera Rebl (Dancability, Wien) and Barbara Santos (TDU Wien). In 2017 she attended a training workshop on Timeslips with City Arts, Nottingham.
Before joining LJMU,, Teri was a Research Officer on the Dementia and Imagination research study between 2014 and 2016. The research looked at the impact of art in the creation of dementia friendly communities, for those living with dementia, their families and communities. As well as assisting in the data collection at the study’s North Wales site, Teri compiled and anonymised the qualitative data; coordinating this in preparation for analysis. Her part in the analysis has been focused on qualitative methods. She has also been involved with collating visual data for the study.
Additionally, Teri has worked with the research team to develop engagement and impact opportunities at festivals, conferences and workshops, organising the records of these activities. She co-organised a series of activities for the Connected Communities festival in 2015 and led the research's activities for the 2016 Festival. Producing a number of newsletters during the study for its growing mailing list (currently 500+ members), Teri also designed dissemination materials such as postcards, posters and leaflets to promote the research as well as managing the study’s social media profiles on Twitter, Facebook and Storify and engaging with aspects of the qualitative analysis. She continues her involvement with the project as the research is currently being developed for several publications.
Prior to this, Teri taught at Bangor University on all levels of the undergraduate Theatre Studies and Performance programme and has supported a Masters level open research project in Drama. She also contributed to a year 2 Visual Culture module on 'the body'.
Teri graduated from her PhD in 2016, which focused on the therapeutic potential of immersive theatres to augment personal well-being, supervised by Dr Kate Taylor-Jones. This involved practice-led and qualitative audience research, explored partially through the creation of two immersive performances. Teri is particularly interested in expanding this work with people living with dementia.
2016, Bangor University, Wales, UK, PhD
2009, University of Wales, Bangor, Wales, UK, MA
2006, University of Wales, Bangor, Wales, UK, BA (Hons)
Research Officer, Dementia Services Development Centre, Wales, School of Healthcare Sciences, Bangor University, 2014 - 2016
Graduate Teaching Assistant, School of Creative Studies and Media, Bangor University, 2010 - 2014
Newman A, Davenport B, Howson-Griffiths T. 2018. Narrative identity and resilience through visual arts activities for people in later life with dementia. Goulding A, Newman A, Davenport B. Creative Practice in the Resilience of Older People. Policy Press
Hogarth SE, Bramley E, Howson-Griffiths T. 2018. Immersive Worlds: an exploration of how performers facilitate the Three Worlds in Immersive Performance Theatre, Dance and Performance Training, 9 :189-202 >DOI
Windle G, Joling K, Howson-Griffiths TR, Woods B, Jones C, van de ven P, Newman A, Parkinson C. 2018. The impact of a visual arts program on quality of life, communication and well-being of people living with dementia: A mixed-methods longitudinal investigation. International Psychogeriatrics, 30 :409-423 >DOI
Windle G, Howson-Griffiths TR, Newman A, Goulding A, Gregory S, O'Brien D. 2017. Exploring the theoretical foundations of visual art programmes for people living with dementia Dementia, >DOI
Howson T. 2015. Zombies, time machines and brains: Science fiction made real in immersive theatres Thesis Eleven, 131 :114-126 >DOI
Newman A, Baber M, O Brien D, Goulding A, Jones CH, Howson T, Jones C, Parkinson C, Taylor K, Tischler V, Windle G. Carrying out research across the arts and humanities and social sciences: developing the methodology for Dementia and Imagination Cultural Trends, 25 :218-232 >DOI
Irving A, McNeill E, Howson-Griffiths T. 2017. Lost and Found Labyrinth
Howson T. 2015. ‘Fragments from two sensory performances: The College on the Hill (2011) and When Autumn Passed Me By (2014). Presented at the TAPRA conference practice as research gallery, 2015
Howson T. 2017. Reflections on connecting communities through the arts - presentation at Dementia and Imagination end of project conference, 31st January 2017
Carter L, Howson T. 2016. #Dementiafutures imagining dementia friendly futures through community creativity. Presentation at the Connected Communities Utopia Conference, December 2016.
Hedd Jones C, Howson T. 2016. Dementia and Imagination: an overview of a visual arts and dementia research study. Presentation at the The Art of Health in Wales Symposium, The All Wales Arts Health & Wellbeing Network, 21.05.2016.
Howson T, Windle G, Hedd Jones C. 2016. Dementia and Imagination: qualitative research findings from a visual art and dementia study. Presentation at Alzheimer's Europe conference November 2016.
Howson T. 2016. From research to practice: Public engagement in the Dementia and Imagination research study. Presentation at the Centre for Ageing and Dementia Research (CADR) conference, October 2015.
Howson T. 2015. Participant engagement across the researcher encounter: a case study from the Dementia & Imagination study. Presentation at Living well with Dementia through the Arts:Celebrating creativity for people living with dementia in North Wales symposium. 21.04.2015.
Howson T. 2013. 'Well being practices in sensory performance', presentation at Well-Being Conference, Birmingham City University, 24 July 2013
Howson T, Howson-Griffiths TR. Sensory, Sensual and Questionable Interactions: Distinguishing theatrical and aesthetic forms in immersive theatre - conference presentation, TAPRA conference 2013
Howson-Griffiths TR, Windle G. 2017. 'Arts and science combine for dementia care', Arts Professional Magazine
Howson TR. 2015. Cinema of the dark side, atrocity and the ethics of spectatorship - book review Transnational Cinemas, 6 >Link
Howson-Griffiths TR, Windle G. 2014. Dementia and Imagination Understanding Art in Dementia Friendly Communities. Poster presentation at the Connected Communities Festival, June 2015.
Hedd Jones C, Howson-Griffiths T. The impact life cycle of Dementia and Imagination
Howson T, Howson-Griffiths TR. Process versus outcome? Considering different approaches to the production of art made by people living with dementia in a visual arts intervention 45th Annual Conference of the British Society of Gerontology
Howson T. The Senses in Performance: utilising audience response to identify therapeutic affect in Immersive Theatre’, methods and findings 43rd Annual Conference of the British Society of Gerontology
Howson-Griffiths TR, McNeill E, Irving A. Utilising humour through participatory arts practice to explore living well with dementia British Society of Gerontology 47th Annual Conference
McNeill E, Howson-Griffiths T, Irving A. The Tangled Veil and the Cloud of Unknowing - LOL
Griffiths M, Egerton G, Howson-Griffiths TR. Codex: the well of lost plots
Engagement & Impact
Research Grants Awarded:
HEFCE QR funding, ‘On Cloud 79’: challenging the stigma of dementia for people living with dementia and their supporting communities through comedy performance, Alex Irving LJMU and Elaien McNeill LJMU and Densie Parker LJMU, Grant value (£): 1894, Duration of research project: 1 year
Arts Council England, Research and Development of 'The Tangled Veil and the Cloud of Unknowing’ - a performance challenging the stigma of people living with dementia, Elaine McNeill, Alex Irving, Monkey Minds, Grant value (£): £10000
HEFCE QR Funding, Lost and found – using humour to foster positive well-being for people living with dementia and their supporting communities, Elaine McNeill LJMU, Alex Irving LJMU, Grant value (£): 1939, Duration of research project: 9 months
British Society of Gerontology, Co-designed Dementia Labyrinth, Elaine McNeill LJMU, Alex Irving LJMU, Grant value (£): 500, Duration of research project: 1 year
AHRC Connected Communities, Connected Communities festival 2015, Dementia and Imagination: connecting communities and developing well-being through socially engaged visual arts practice., Dr Catrin Hedd Jones, Bangor University, Grant value (£): £9,300, Duration of research project: 6 months
AHRC Connected Communities, Connected Communities festival 2016, Dementia and Imagination: connecting communities and developing well-being through socially engaged visual arts practice., Grant value (£): £19905.40, Duration of research project: 10 months