Sarah graduated with a BA (Hons) in Fine Art Painting from Bath Spa University and an MSc in Forensic Art from the University of Dundee. Subsequently she has worked as a researcher at various institutions researching cranio-facial reconstruction and human face recognition in relation to the general face perception field and more specifically within forensic scenarios.
Sarah is a post-doctoral Research assistant in the Face Lab at the School of Art and Design, Liverpool John Moores University. Professor Caroline Wilkinson is Director of the Face Lab, a LJMU research group that carries out forensic/archaeological research and consultancy work including craniofacial analysis, facial depiction and forensic art. Sarah's research interests mainly focus on recognition of faces from facial depictions for forensic scenarios. Her PhD research entitled, ‘Facial creation: using compositing to conceal identity’, focused on ‘composite’ faces – those faces made up of features/facial parts from other faces.
2018, Liverpool John Moores University, United Kingdom, PhD Face recognition
2008, University of Dundee, Dundee, United Kingdom, MSc Forensic Art
2006, Bath Spa University, Bath, United Kingdom, BA (Hons) Fine Art: Painting
Research assistant, Face Lab/School of art and design, Liverpool John Moores University, 2017 - present
Associate staff, School of Psychology, University of Central Lancashire, 2016 - present
Research Assistant, Centre for Anatomy and Human Identification, University of Dundee, Dundee, 2013 - 2013
Associate Research Fellow, Psychology, University of Wollongong, Wollongong, 2012 - 2012
Research Assistant, Buelthoff/RECCAT, Max Planck Institute for Biological Cybernetics, 2010 - 2010
Research Associate, Medical Imaging Centre/PSI, Katholiek Universiteit Leuven, 2010 - 2011
Diac MM, Earar K, Damian SI, Knieling A, Iov T, Shrimpton S, Castaneyra-Ruiz M, Wilkinson C, Iliescu DB. 2020. Facial reconstruction: Anthropometric studies regarding the morphology of the nose for romanian adult population i: Nose width Applied Sciences, 10 DOI Author Url Publisher Url Public Url
Shrimpton S, Daniels K, de Greef S, Tilotta F, Willems G, Vandermeulen D, Suetens P, Claes P. 2014. A spatially-dense regression study of facial form and tissue depth: Towards an interactive tool for craniofacial reconstruction FORENSIC SCIENCE INTERNATIONAL, 234 :103-110 DOI Author Url
Wilkinson C, Shrimpton S, Smith K, Roughley M. 2018. Facial Depiction of "The Rider of Hemmaberg" - a 5/6th century man with a wooden leg prosthesis from the Migration Period in Carinthia, on display at the Archaeological Pilgrim Museum in Globasnitz Author Url
Roughley MA, Shrimpton S, Wilkinson CM. 2016. Facial depiction of Kukruse lady - a 13th century AD lady from Estonia Publisher Url
Wilkinson CM, Shrimpton SL, Roughley MA. 2015. Facial Depiction of a 1200 year old bog body known as "Bernie", on display at Ostfriesisches Landesmuseum, Emden Publisher Url
Liu C, Roughley M, Shrimpton S, Wilkinson C. Facial depiction of two Mesolithic individuals from Norway on display at Bergen City Museum
Shrimpton SL, Fodarella C. 2017. Facial Composites Baker B, Minhas R, Wilson L. Factbook: Psychology and Law European Association of Psychology and Law Student Society 9781326989651
Wilkinson CM, Shrimpton SL, SMITH K, LIU C, Roughley MA. 2017. Facial depiction of George Lister and Elizabeth Dibb (3D printed replicas) on display at Washburn Heritage Centre Publisher Url
Wilkinson C, Shrimpton S, Roughley M, Smith K, Liu CY. Facial depiction of two Mesolithic individuals from Norway (3D printed replicas) on display at Bergen City Museum
Hill H, Shrimpton S, Otsuka Y, Shriver M, Claes P. 2014. Positive eyes facilitate use of pigment and shape information from the rest of the face. i-Perception, APCV :388-388 Author Url
Bulthoff I, Shrimpton S, Mohler BJ, Thornton IM. 2011. Using avatars to explore height/pitch effects when learning new faces
Shrimpton SL. Facial creation: using compositing to conceal identity Wilkinson C, Frowd C, Rowland C. Public Url
Facial creation: How much of a donor face image can be used whilst preserving their anonymity?, International Association for Craniofacial Identification, Louisianna USA, Remote video. 2019
From the inside out: an exploration of the eyebrow’s role in identity, expression and communication, Screen Studies Conference, Glasgow, Scotland, Oral presentation and panel. 2019
The eyebrow's role in identity and character - when does an alteration become a transformation?, NECS - European Network for Cinema and Media studies, Gdansk, Poland, Remote video. 2019
Roughley, M. A., Wilkinson, C. M., Shrimpton, S. L., MacGregor, M., Mockton, D. G., Moffat, R., (2018), Exploring cognitive bias when texturing a facial depiction of King Robert the Bruce, Art, Materiality and Represenation - Royal Anthropological Institute Conference 2018, British Museum, SOAS, Oral presentation. 2018
Research Team of the Year (awarded to Face Lab, LJMU) - Educate North Awards 2019, Educate North, https://www.educatenorth.co.uk/2019-winners. 2019
Liverpool John Moores University's Vice-Chancellor's Excellence Award for Excellence in Social and Economic Engagement (2016) - Presented to Professor Caroline Wilkinson and the Face Lab team, Liverpool John Moores University. 2016
Associate fellow of the Higher Education Authority. 2015
SEDA - Staff and Educational Development Association Professional Development named award. 2015
Associate fellow of higher education authority. 2015
http://www.bbc.com/news/uk-scotland-38242781, https://www.theguardian.com/uk-news/2016/dec/08/sprucing-up-robert-the-bruce-scottish-kings-face-gets-3d-treatment, http://news.sky.com/story/robert-the-bruce-revealed-in-new-images-based-on-dug-up-skull-10687798, Worldwide news coverage of the reveal of a facial depiction of Robert the Bruce.
https://twitter.com/FaceLabLJMU/status/562202647344996353, https://twitter.com/FaceLabLJMU/status/559406305585430528, https://twitter.com/BBCNWT/status/561238007077142529, Face Lab. Liverpool John Moores University, Liverpool School of Art and Design research group launch event.
Membership of professional bodies:
Fellow, Royal Anthropological Institute (RAI), https://www.therai.org.uk/.
Member, British Association of Forensic Anthropology, http://bahid.org/bafa/.
Student member, British Association of Human IDentification (BAHiD), http://www.bahid.org/.
Student Member, British Psychological Society, http://beta.bps.org.uk/.
Student member, European Association or Psychology and Law, https://eapl.eu/.